![]() ![]() ![]() Fox leaning against a tree, an image accompanied, in a very Andersonian touch, by the Wellingtons’ 1954 tune “The Ballad of Davy Crockett.”Īs with all of the director’s films, potent emotions underlie the comic-strip surface: Both Fox and his sullen son, Ash (Jason Schwartzman), must come to terms with their instinctual ambitions, which tend to clash with their everyday responsibilities. You’re captivated right from the first gorgeously autumnal shot of Mr. Anderson’s dioramic visuals and pithy plotting translate perfectly to a cartoon world. There’s nothing docile about Wes Anderson’s first foray into animation. But when Fox’s wife, Felicity (Meryl Streep), informs him that they have a pup on the way, our vulpine protagonist realizes he has to tame the beast within. Fox (George Clooney) likes to complain about his days making life hell for his human nemeses, farmers Boggis, Bunce and Bean (one fat, one short, one lean). But in the end, he’s just another dead rat in a garbage pail behind a Chinese restaurant.”ĭefining moment: Fox and friends come face-to-face with a mysterious black wolf. Cath ClarkeĪn idiosyncratic auteur gets animated with this stop-motion take on Roald Dahl’s children’s novel.īest quote: “Redemption? Sure. The dialogue is deliciously macabre, the storytelling dizzyingly inventive and the characters touchingly sweet. That translates into mind-boggling detail, right down to the mayor’s spider tie. Working with more than 227 puppets, they completed just one minute of the film a week. Jack crafts a plan to kidnap Father Christmas, or Sandy Claws, as he calls him.ĭirected by stop-motion maestro Henry Selick from Burton’s story, the movie took 15 animators almost three years to make. ![]() It’s the story of Jack Skellington, the king of Halloween Town, who discovers a portal to Christmas Town and likes what he sees-children throwing snowballs instead of heads. Burton’s graveyard fairy tale is a good old-fashioned musical, with song-and-dance numbers that would get Gene Kelly tapping his feet. But the powers that be thought the idea “too weird,” and the project went on the back burner until Beetlejuice and Batman made Burton a hot property. A year later, Burton pitched A Nightmare Before Christmas to his bosses as a TV special. It all started in 1982, with a poem written by Tim Burton, then a humble animator at Disney. Best quote: “Jack, you make wounds ooze and flesh crawl!” (It’s a compliment.)ĭefining moment: The opening song, gloriously and ghoulishly upbeat. ![]()
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